Model Shoot: Ashley Sunday, Jan 30 2011 

Last weekend, I was invited by the photographer Ray Dauphinais to assist him on a photo shoot he did for The Angels Foundation. I worked with Ray a few times before, and I didn’t mind helping around with lights and equipment and learning something in the process.

Most of the shoot took place in a gym of a downtown Dallas residential building, but then Ray and I went exploring the building with one of the models, Ashley.

Ashley had a great attitude and a photogenic face highlighted with brilliant eyes. The impromptu shoot started when she changed from the gym clothes into a little black dress. As she sat down by a window to wait for us photographers to get our gear ready, we put away our flashes and worked with available light. We made a makeshift reflector to fill in the shadows and this quick portrait with her smirk was the best of that series.

Ashley, digital

Ashley, digital

Then we took a quick trip to the roof of the building. The downtown skyscrapers provided great background for Ashley and her dress. After a few digital test shots, I felt brave enough to put a flash on my medium format Mamiya 645 1000S. The idea was to use a few last frames of a roll of Kodak Ektachrome 100 that I had in the camera for months. I climbed on some patio furniture to eliminate the whitish overcast sky and fired off two shots, of which I prefer this one.

Ashley, on color slide film

Ashley, on color slide film

Finally, on our way down from the roof, we walked through a narrow hallway with distressed walls and tall windows. Again Ashley’s face looked great in natural diffused light framed by her flowing hair, so I used another film camera to capture the image. There was a roll of Ilford HP4 Plus in my Canon Elan 7 since my trip to New York in November, and I wanted to get a few shots to wrap it up. Sure enough, this “look”, showing Ashley’s “femme fatale” side, was what I was looking for.

Ashley, on black and white film

Ashley, on black and white film

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Model Shoot: Elizabeth Wednesday, Sep 22 2010 

About a year ago or so, I joined Model Mayhem, a web site where photography professionals and enthusiasts get together for creative purposes. My goals were modest, to connect with some local people who like to do the same types of things I do, and maybe get involved with some fun shoots, and hopefully learn something.

Elizabeth contacted me and offered to set up a shoot; after she gave birth to her son earlier this year, she was looking to get back in front of the camera. Her “port” (home page) looked very versatile and interesting, but we could not get our schedules lined up. Then, in July, another model I shot with before, Crystal, set up an impromptu shoot with three models and three photographers in historic West End in Downtown Dallas. Elizabeth showed up wearing a tight-fitting retro dress and a winning smile.

We had a great time with different poses, from which I picked four for my Flickr gallery. She was a terrific sport – not only did she indulge my insane idea to come out into the scorching July sun for a few minutes for some natural light portraits, she even deftly changed into another tight-fitting retro dress. That dress is featured in this shot where her curvaceous body is highlighting the banner for the “Bodies” exhibition (“An Exhibition of Real Human Bodies”).

There’s also this shot where she’s framed by a service elevator opening; that one was a real pain to clean up. It was taken from very close distance with a very wide angle lens, which is usually a no-no for portraits, due to the distortion those lenses create. First I used the lens distortion correction, based on the numbers published by a photographer and blogger Ken Rockwell to get the lines straight. But then I had to change the vertical and horizontal perspectives to get everything properly lined up. I doubt the haywire lines would have distracted from what’s a very nice portrait of Elizabeth, but I’m pretty pleased to have helped keep the focus on the model.

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