Vlašić Mountain, Bosnia and Herzegovina Friday, Dec 23 2011 

In October of this year, as I try to do every year, I visited my homeland of Bosnia and Herzegovina and spent two weeks with the closest members of my family – mom, dad, and sister. The four of us wanted to take an extended weekend trip to a resort on the mountain of Vlašić, a few hours north of the home town and capital of Sarajevo. All photos in this post were taken with my new medium format film camera, Mamiya 7.

Clouds over a Valley

Clouds over a Valley

To properly write “Vlašić” is hard enough with English alphabet, and to pronounce it even harder. But the place is a gorgeous ski resort, which we visited before the first snow and the official start of the busy season. The black and white photo above (Ilford HP5 film) was one of the first I took up there, on a trail just above a ski jump tower, which can be seen above the tree canopies on the right. The sky was quite foreboding and threatened the sleepy valley below.

Last Light on Pines

Last Light on Pines

The following morning, I was too lazy to get up and shoot the sunrise, but in the evening, I went back up the trail to try to catch some of the warm “golden hour” light. The clouds parted a bit and just before the sun went down, it lit beautifully this row of conifer trees. I like the way that streak of red stands out among the green, both of which come out great on the Fuji Velvia film.

Ski Lift Shack

Ski Lift Shack

Remarkably, I managed to squeeze one more shot during this golden hour – the odd looking building is a tiny wooden shack at the top of the ski lift. The wood picks up the warm light nicely, enhanced again by the magical Fuji Velvia.

Splash of Color

Splash of Color

A day or two later, on our last evening on the mountain, I went for a walk in a different direction – not as much elevation gain as the top of the ski lift, but still some nice scenery. I was walking through some fields and found this bundle of color in the grass. I envisioned a depth-of-field shot, turned my aperture to f/4 and got as close as I could to the flower. The depth of field in the resulting shot was a little too thin, but I still like the way it turned out.

For more of my photos from other trips to Bosnia, visit my Flickr sets here, here and here.

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Traditional Sunset, Eagle Crags, Utah Tuesday, May 17 2011 

I’ve been traveling with Tyler and John for four years now, for purposes of enhancing our friendship as well as our photography skills. And if there’s one thing that we bonded over more than over lens caps and ISO settings, it’s botched sunset shoots.

First, there was not one, but two sunsets in Monument Valley, a year apart, that left something to be desired. Then there was one when we didn’t get to Lake Powell in time on our way from The Wave, even though I hit 100 miles an hour to get there. There was one at Yosemite’s Tunnel View (although, the Sierras paid us back a few days later with a magnificent sunset from Sentinel Dome). And then the one when the skies finally cleared only when we were already many miles on our road out of the Coral Pink Sand Dunes State Park…

If there’s one thing we can count on, that’s a less-than-perfect sunset.

Traditional Sunset

Eagle Crags, UT

And here we were, three hours before sunset, after a morning hike to Angels Landing, after driving up a bad dirt road, getting perilously off the hiking trail, setting up our tripods in between the bushes and trees, wondering if we will get rained on before the skies clear and allow some sunlight onto the peaks in front of us.

The peaks are called Eagle Crags, and they’re located just outside Zion National Park, near Rockville, UT. We saw them a few sunsets earlier, as they were the peaks getting the very last light, due to the fact that they’re outside the main canyon of the park, so the light lingers on them just a little longer. Tyler found a road on the map, and the road led us to a BLM hiking trail, which eventually goes all the way to the foot of the Eagle Crags hill.

Eagle Crags, UT

Velvia film shot, not as good as the digital

Skies were dark and foreboding, which made for a dramatic background. We were cheering for the sun to break through the cloud bank to the west and light up the red sandstone. We had reason to hope: it happened a little earlier, but it was not the magical “golden hour light”. I captured it on Fuji Velvia 50 film, shown here, and it looks nice, but it’s not quite the same as the main digital photo, taken just that much later. Light was changing fast, and I never snapped another film shot. I didn’t even time to change my lens – it was gone in a flash.

Still, we’ve seen some photos in the local galleries, and this formation, somewhat off the beaten path, offers great potential for some wonderful sunsets. On this evening, however, our tradition continued.

Yosemite Falls and Pine Wednesday, Jul 21 2010 

Yosemite Valley is a long, deep, narrow incision into the granite of the High Sierras, and as a result, most of its main features are visible from just about anywhere. I already provided some examples of that with El Capitan and Half Dome, but right up there with them on the list of the most recognizable images from Yosemite are the Yosemite Falls, the tallest year-round waterfall in North America.

Yosemite Falls and Pine

Yosemite Falls and Pine

There are a number of ways to photograph the falls, and we had some nice shots from various meadows in the valley, one of which appears below. On this day, however, Scott, John, Tyler and I decided to go up the Four Mile Trail, which snakes from the bottom of the valley all the way up to Glacier Point. The trail is one of the signature trails of the park, and it’s actually five miles long. The first part of the trail offers a great “reverse tunnel view”, where a somewhat distorted eastern profile of El Capitan is on your right, and the Cathedral Peaks on the left. But then, slowly, the trail keeps shifting eastward and there are many spectacular views of the Yosemite Falls.

What’s interesting about this is that the perspective is somewhat changed by the elevation gained on the trail. The plumes of water spray at the bottom of the Upper falls come into full view, and the Lower falls, which is somewhat secluded by the narrow gorge it carved, can be clearly seen.

This is the highest I got on the trail; I had my lunch here, looking at the falls on my right and El Capitan on my left. It is the first shot I took with my Pan F film in medium format (120), and it turned out that this film produced nothing but winners.

Yosemite Falls, from the meadow

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