Point of Inspiration: Alan Ross Wednesday, Jan 26 2011 

This past Saturday, I met Alan Ross, a master photographer, who spent some time in the 70s as the assistant to Ansel Adams. An exhibit of his work opened at the Sun To Moon Gallery in Dallas and he was on hand to schmooze with the Dallas socialites, which, for an hour or so, included yours truly.

Alan Ross

Alan Ross, inspiration

On display was about 20 of his quite exquisite silver gelatin prints, in formats up to 24×30. My favorite by far was Bridalveil Fall in Storm, obviously an homage to Ansel’s Clearing Winter Storm. The touch of genius was a river at the bottom of the frame, which miraculously picked up some great light from the clouds. Then there was Farm and Clouds, New Mexico, layers upon layers of rich details and flowing lines, truly a magnificent work of art.

Then I saw a few others and realized something. I’ve been fortunate to visit some really amazing places the last few years with friends Scott, John, Tyler. All those places were on the walls of the gallery – Bryce Canyon hoodoos, Monument Valley rock formations, and scenes from Yosemite that nearly retraced my own steps.

Which is telling me I’m on the right track. Sure, those are places of world-wide known beauty, visited by million people every year, but my friends and I have done some amazing work there. I have little doubt that we’re getting to where we’d be able to post our own work in galleries. The way we see things, the way we make decisions about what to shoot, it’s all leading somewhere. A lot of the shots I’ve seen at this exhibit are of fragments of nature; a group of aspens here, a pile of rocks there. There was always something outstanding though, and it was usually the weather – the clouds or the fog. So, not always the golden light (it’s black-and-white, after all), but often something to enhance the subject and transform it from ordinary to extraordinary.

Alan signed my copy of Ansel’s Autobiography and we talked shop a little, which inspired me to establish my 2011 resolution – start developing my own black and white film. This was taken with my Canon Elan 7 camera with 85mm lens on great Ilford HP5 Plus film. The only thing that could have made it more exciting would have been to develop it myself.

Advertisements

Vernall Falls, Yosemite National Park Sunday, Oct 17 2010 

Fort Worth’s Amon Carter museum recently displayed an exhibit of Ansel Adams photographs, which I was excited to visit. Like most people, I was exposed to his work through his most popular images, and seeing an actual print of the glorious Clearing Winter Storm was certainly a thrill. I even saw the original Monolith: The Face of Half Dome (although slightly mislabeled by the museum), a 1934 print on Dassonville Charcoal Grey paper; on my June visit to Yosemite National Park, I bought a reproduction of this amazing photograph and it now hangs on a wall in my bedroom. Finally, I came face to face with his photo book Taos Pueblo, wishing I could flip through the gelatin silver photo paper pages on which Adams individually printed the photos.

But, it was the lesser known Adams Work that really got my attention. A photograph titled Pinnacles, Alabama Hills was magical – vertical rock outcroppings covered with lichen platelets against the background of snow-capped mountains. The level of detail was tremendous and you can sense the pre-visualization that Adams was so famous for.

Then there were several images from Big Bend National Park, made in the mid-to-late 1940s, especially the Santa Elena Canyon, which is not merely a composition, but a symphony of rock and light. The photograph seemed to be asking me why haven’t I made the 10-hour drive to this National Park yet; not exactly in my back yard, but in Texas terms certainly not beyond reach.

In all of his work, Adams emphasizes sharp focus and eye for detail, even in grandiose vistas. His Half Dome, Blowing Snow is a testament to this, with its portrayal of the friendship between ice and granite. Another theme that is noticeable is his use of the sky in his photos. It seems as if he used red filters just about every time he expected to show the sky in the photo, so that it would appear darker than the clouds scattered across it.

And finally, here and there, there are traces of Adams the portraitist, whether he’s photographing an unnamed Woman Behind Screen Door or his friend Alfred Stieglitz in his studio. One realizes that such photos were probably not done with his view cameras, which require slower, more deliberate operation, but rather with a more compact 35mm camera, making Adams a well-rounded wielder of photographic equipment.

Vernall Falls, Yosemite National Park

To illustrate this blog post, I chose not to use any of Adams’s images, as they are easily available on the internet, albeit in form nowhere near deserving of a fine work of art. Instead, here’s one of my own offering from the trip to Yosemite; a digital snapshot that’s been on top of the “Maybe” pile for four months. It’s a photo of Vernal falls, inspired by an image by Adams. The master was able to get close up to the water, which indicates it was probably later in the year — we were there in peak flow season, and it was impossible to use any electronic equipment on that particular portion of the aptly named Mist Trail. This was taken from a bridge further downstream, and I rather liked the way sun found a few ways through the clouds to offer some pleasant highlights on the water and foliage around it.

Hiking Photography

Beautiful photos of hiking and other outdoor adventures.

Bucket List Publications

Indulge- Travel, Adventure, & New Experiences

Suad Bejtovic Photography etc.

Photography and more