Double White Line, Lewisville, TX Monday, Oct 15 2012 

Double White Line

Double White Line

The story behind this image might be my favorite photography story so far.

It begins with my purchase of the 70-200mm f/4L USM lens – I wanted to play around with the telephoto zoom, and this was one of the best bargains in Canon’s lineup. Fantastic image quality and great utility for a few hundred dollars. It was irresistible, and I loved it.

To test it out, I took it to a highway overpass to take some shots in the late afternoon light. I set up my tripod and had fun looking for a perfect long exposure shot, first on one side of the overpass, then on the other. A few people honked and I got a few looks, but I took it all in stride.

That is, until the police car pulled up next to me.

Canon Rebel XT with a 70-200mm f/4L USM lens

Canon Rebel XT with a 70-200mm f/4L USM lens

The officer couldn’t have been nicer. He said that there were a few 911 calls talking about a sniper on the highway overpass, so he came to check it out. I showed him that my Canon Rebel XT with the 70-200mm lens doesn’t look anything like a rifle, except for the fact that I “aim” it like a rifle and “shoot” with it.

We talked for a bit about photography, he laughed it off and left. I shot this shot a few minutes later.

Mamiya 645 1000S Monday, Oct 15 2012 

Once I started shooting 35mm film, I found that I was really enjoying the process and the result. Film makes you slow down, think about your shots, and as a result, you usually end up with better photos.

Mamiya 645 1000S

Mamiya 645 1000S

I got greedy, though, and I knew I wanted to get into medium format film. I stumbled upon a great deal on Craigslist and bought this Mamiya 645 1000S camera, with the 80mm lens, for $250. I even got an extra body, along with some knicknacks.

It was heavy and clumsy, and it took some getting used to, especially since there were some minor bugs that I had to learn the hard way. But I enjoyed the simplicity of it – manual focus, manual exposure, split level focus point, and a gigantic viewfinder. Most of all, I liked the huge image area – when the developed slides would come from the lab, it was just beautiful to look at.

Mamiya 645 1000S with the 25mm fisheye lens

Mamiya 645 1000S with the 25mm fisheye lens

I bought two other lenses for it; one was a slightly wider 45mm, which worked brilliantly, and the other was Mamiya-Sekor 24mm f/4 Fisheye ULD C, which was a mouthful to say, and a beast of a lens. It works out to be about 15mm on a regular film format (35mm), which is extremely wide.

I eventually sold all my 645 gear and traded up for the Mamiya 7 that I have now. I wrote a blog post when that camera was only a shy little wish list entry. Mamiya 7 is a 6×7 format, so it is slightly larger than the 6×4.5 format. The camera is also a rangefinder, so it’s more compact and easier to carry around. I’m still enjoying the medium format film, and I think I have a great camera; I may start getting some more lenses for it soon.

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