I spent this Sunday afternoon finally developing a roll of Ilford FP5 Plus film. It’s a roll I started in Rome, and finished at the Italian Car Festival in Grapevine. I was a little hesitant, because the last time I tried to develop my own film, I wasn’t very successful.

This post might as well be titled “St. Peter’s Basilica, Part Two, Part Two”, because the photos featured here are just about the same as the ones I posted a few days ago.

St. Peter's Basilica, film

St. Peter’s Basilica, film

For the first photo, I climbed on a ledge of the obelisk in the center of the St. Peter’s Square, but I still had to crop off some tourists’ heads at the bottom of the frame, which made the photo a little wider than the natural 6×7 format of the Mamiya 7 camera.

St. Peter's Square, film

St. Peter’s Square, film

The photo from St. Peter’s cupola showcases that format very directly. The digital color shot in the previous post was taken with my zoom lens at 29mm, which is about normal for a small sensor digital camera. The lens I had on Mamiya 7 is also normal, 80mm, but because the format is more square, the field of view opens up to include a little bit of sky above the horizon, which was not visible in the earlier shot.

I very much enjoy the 6×7 format, because it is very nearly square, so there’s no visible advantage to rotating the camera to a portrait orientation. That way I eliminate one of the variables and I have one fewer thing to think about while shooting.

You’re welcome to share your experience and advice about developing film in the comments.

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