About a year ago or so, I joined Model Mayhem, a web site where photography professionals and enthusiasts get together for creative purposes. My goals were modest, to connect with some local people who like to do the same types of things I do, and maybe get involved with some fun shoots, and hopefully learn something.

Elizabeth contacted me and offered to set up a shoot; after she gave birth to her son earlier this year, she was looking to get back in front of the camera. Her “port” (home page) looked very versatile and interesting, but we could not get our schedules lined up. Then, in July, another model I shot with before, Crystal, set up an impromptu shoot with three models and three photographers in historic West End in Downtown Dallas. Elizabeth showed up wearing a tight-fitting retro dress and a winning smile.

We had a great time with different poses, from which I picked four for my Flickr gallery. She was a terrific sport – not only did she indulge my insane idea to come out into the scorching July sun for a few minutes for some natural light portraits, she even deftly changed into another tight-fitting retro dress. That dress is featured in this shot where her curvaceous body is highlighting the banner for the “Bodies” exhibition (“An Exhibition of Real Human Bodies”).

There’s also this shot where she’s framed by a service elevator opening; that one was a real pain to clean up. It was taken from very close distance with a very wide angle lens, which is usually a no-no for portraits, due to the distortion those lenses create. First I used the lens distortion correction, based on the numbers published by a photographer and blogger Ken Rockwell to get the lines straight. But then I had to change the vertical and horizontal perspectives to get everything properly lined up. I doubt the haywire lines would have distracted from what’s a very nice portrait of Elizabeth, but I’m pretty pleased to have helped keep the focus on the model.

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